Tuesday, February 25, 2020

Managerialism in social work Essay Example | Topics and Well Written Essays - 2500 words

Managerialism in social work - Essay Example The research suggests that such managers were more oriented to profit, and were more capable of obtaining it, than the traditional owner-managers (J. Harris; 1998, p. 839-8620). This British evidence fits with the range of evidence from the USA and other countries assembled dismiss the thesis of the managerial revolution and establishes that the claim of a separation of ownership and control is well described as a 'pseudo fact'. He points out that 'growth, sales, technical efficiency, a strong competitive position are at once inseparable managerial goals and the determinants of high corporate profits'. These corporate profits are the prerequisites of high managerial income and status. The high status and material rewards which can be achieved by membership of a managerial occupation are dependent on the contribution made to profit achievement or at least to the continued survival of the corporation in a context where too great a deviation from profitable performance would lead to collapse or takeover. The ownership of wealth and the control of work organizations are closely related, on the basis of this kind of evidence. It is the case, however, that owners hip of enterprises is far more dispersed than it was in the past with the growth of an 'impersonal' structure of possession which has not, however, 'resulted in a loss of power by wealthy persons'; both managers and owners play their parts in the same 'constellations of interest' which are dominant. Moreover, similarly and uses the term 'ruling class' to cover the economic, cultural and political 'bloc' created by the alliances arise between capitalist and middle-class managerial class interests. A part in this is inevitably played by interlocking company directorships whereby the 'pattern of meetings' which these involve are 'reinforced by a network of kinship and friendship'. The importance of kin networks is shown by Marceau's (1989) research on European business graduates. She demonstrates how the 'international business elite' which she sees emerging uses kin networks as sources of prestige, information and finance. Power, managerial careers, wealth ownership and prestige are a ll closely interlinked in practice. The British scholar Christopher Pollitt (1990) has given this question considerable thought and has done some valuable work that is especially instructive here. In a searching critique of managerialism and its influence on the British and American public services, he builds an intriguing argument that managerialism "needs to be understood as an ideology, and one with some concrete and immediate consequences" (xi). Pollitt asserts that managerialism consists of a set of beliefs, values, and ideas about the state of the world and how it should be. He identifies five core beliefs of managerialism. 1) "The main route to social progress now lies through the achievement of continuing increases in economically defined productivity." 2) "Such productivity increases will mainly come from the application of ever-more-sophisticated technologies. These

Sunday, February 9, 2020

Black Film History Essay Example | Topics and Well Written Essays - 1500 words

Black Film History - Essay Example The two main directors of the film are Charles Stone and Chuck Wilson. The actors include several various individuals, all which are divided into each segment. The idea of â€Å"Afrocentricity† is to depict the several ways of life that those in the African – American community are associated with. The directors move a step beyond this in showing how the ideas, imagination and the perspectives in this community fall back into problems with stereotypes; however, when looking at the films, there is not a true representation of what this is inclusive of. The strength of this overall film comes from the ideal presented about the diversity of the African – American community. The presentation of seven short films, all which are not related to the other, provides a different level of insight about the African – American community. This breaks down boundaries and stereotypes which are often in the media and gives a fresh look about the ideals of the African Ameri can community. Each of the short films is depicted in an artistic and valuable way to ensure that this message is given. The tension is created in each film, specifically by defining the problems which are associated with society, as well as how individuals have to learn how to overcome this. The weakness of the film comes from the misleading presentations which may distract an individual from buying the film. The title of Afrocentricity is one which isn’t realistic and doesn’t provide the correct depiction of what is presented throughout the film. The concept of diversity is a hidden message that is displayed through each of the films. If one doesn’t understand that this is several short films, one which only lasts for two minutes, then more problems may arise. However, this can work in favor of the film if one is able to understand and overcome stereotypes which may have been associated with the value of each story. Overall rating: 4 Breakdown Breakdown is the first short film that is able to give insight into the African – American community. The director of the film is Jeff Byrd. The actors include the lead, Vanessa Williams. The presentation in this film begins with showing a shooting at a bus station. Vanessa Williams is the only survivor of this incident. When moving through the film, Williams tells about the experience of the shoot down and recalls the trauma which she has gone through by being in this location and seeing what has happened in the specific situation. The strength of this plot is based on the ability for Williams to show the other side of the shootings. The stereotypes which are often depicted in the media are based on the side of African – Americans as having a gangster mentality and not basing their beliefs outside of this. The approach which is taken in this film gains its strength by showing the horror and drama of the shooting as well as the responses which have occurred because of this. The acting that is followed with this is realistic in nature and is able to depict the overall understanding of the complexities which occur in a realistic situation where a shooting occurs, no matter where it happens and who witnesses it. The tension which builds from this realistic viewpoint, as well as the resolution of learning from the trauma becomes the main